đ„Mix of both physical screenings and online â hybrid
đ„Will highlight British Asian Trust Emergency Oxygen for India Emergency Appeal
đ„Star Nina Wadia to appear in Q&A
đ„Premieres including British Asian âGranada Nightsâ with Antonio Akeel, and controversial Pakistani, âZindagi Tamashaâ (âCircus of Lifeâ)
đ„Recorded Q&As with directors/talent to screen after films
đ„Festival has screenings in London, Leicester & Coventry
đ„Opens with indie star-studded âRaaghirâ and closes with âThe Beatles in Indiaâ (first revealed in ACV film bird bites film on 25.04.21)
A FILM that is banned in Pakistan, one that is so outlandish it could never be seen as based on true events but is â and the theme of hope, all feature as part of this yearâs UK Asian Film Festival from May 26-June 6.
There are screenings and events pretty much every day of the 12 days the festival runs and this year all the films have been selected with the idea of A Ray of Hope running through them, recognising the rich legacy left behind by legendary Indian filmmaker Satyajit Ray, whose 100th year birth anniversary passes this month (May 2, 1921).
There are two special sets of short screenings â one screening the festival’s own three-minute film commissions inspired by Satyajit Ray and another set of ten short films mostly shot in South Asia.
Nina Wadia, one of the famous gang of four who helped in the incredible success of the BBC’s âGoodness Gracious Meâ features in a special Q&A on June 4 at the Wellington Hotel in London, talking about her latest roles in global cult author Neil Gaimanâs âSandmanâ series for Netflix, comedy duo Mel and Sue’s âHitmenâ and star actor-producer and writer Stephen Merchant’s new comedy drama, âThe Offendersâ.
Now in its 23rd edition, the countryâs longest South Asian inspired film festival returns after being cancelled last year â scheduled as it was to start in late March as the UK government imposed its first national lockdown.
As thousands very sadly continue to die from corona virus every day in India, there is a special charity appeal through the festival this year.
Funds are being raised for the British Asian Trustâs (BAT) Emergency Oxygen Appeal at this year’s festival.
Dr Pushpinder Chowdhry, founder and diretor of the festival, which started out as Tongues on Fire, told www.asianculturevulture.com: âWe are very mindful of what is happening in India.
âWe will be in partnership with BAT during the festival â we canât pass a bucket around â like we might have done in pre-covid times, but there will be appeals at screenings.
âThe charity is raising money for much needed equipment such as oxygen cylinders and in this âRay of Hopeâ year, we are highlighting issues that are close to Rayâs filmmaking â a sense of humanity, empathy, kindness, and so it seems only fitting to extend our hand as best we can to those helping India in its hour of need.â
As the UK now emerges from the global pandemic and cinemas up and down the country once again open their doors from this Monday (May 17), the festival has both physical screenings in London, Leicester and Coventry, for the first time – as well digital online offerings.
Samir Bhamra, UK Asian Film Festival creative director, believes the festival has one of its strongest line-ups.
âWe have many premieres and films that you may not be able to see for a long time,â he told acv.
âFilms such as âZindagi Tamashaâ, âFire of Teak, Flame of Chinarâ about the Rohingya crisis and âChote Nawabâ and âGranada Nightsâ are among those that represent our theme.â (See below for more on these films).
inspired by Satyajit Ray films (see below for more)
He also said physical ticket sales are strong. There are festival screenings in Coventry and Leicester, as well as in London, at Genesis in East London and Rich Mix in Shoreditch.
Concerned too about the situation in India, he said watching films helped the creative community there – at a time when films and other forms of entertainment have been an almost essential diversion from the daily pressures of the global pandemic.
âTicket sales are very encouraging. All filmmakers in South Asia need to be supported and coming out to watch their films does send out a message.â
He told acv he is in regular touch with many of the filmmakers and that interest in the festival is helping to raise spirits. Both lives and livelihoods have been disrupted by the pandemic.
âEverything will be in line with the governmentâs Covid regulations â and itâs encouraging that people want to come out, the online events always do well and weâve been doing these since last year.
âPeople make films to be watched and by people seeing them, you are sustaining and helping the creative community.
âThere is a sense of positivity and hope and these filmmakers want their films to do well abroad. It sustains jobs and livelihoods.â
Opening the festival on May 26 is âRaaghirâ which has star-studded indie trio line-up of Adil Hussain, Tillotama Shome and Neeraj Kabi. Closing the festival is ‘The Beatles in India‘ on June 6. Both screenings take place at the BFI Southbank.
We’ve highlighted six features here (see below) and will be covering the festival and other films – keep tuned to www.asianculturevulture.com our any of social media channels – Twitter, Instagram or Facebook...
đ„ Zindagi Tamasha 142 minutes (London and Coventry)
This film sparked huge controversy in Pakistan and ended up being banned. Made by Sarmad Khoosat whose âHumsafarâ (2011) is critically acclaimed, his new film charts the plight of âRahatâ, a down-at-heel and pious cleric whose one guilty and secret pleasure is Punjabi films â and at a wedding, he lets his guard down and mimics his idols and breaks into a dance. The resulting video posted and shared causes shame and consternation among friends, family and the wider community.
đ„ Toofaan Mail 97 mins (Coventry and London)
In 1974 a woman arrived at Delhi railway station, claiming to be the Queen of Awadh and asked to meet Indian Prime Minister of the time, Indira Gandhi. What transpired after this, sent the media into a tailspin and has become stuff of folklore â nearly 50 years later. Director Akriti Singhâs film is a fictional retelling that truth is sometimes stranger than fiction.
đ„Granada Nights 85 mins (London)
Directorial debut of Brit Abid Khan. The central character played by Antonio Akeel (âEaten by lionsâ) is a man who is lost and finds refuge in Spain following a particularly painful break-up.
Fire of Teak, 121 mins Flame of Chinar (Coventry and London)
A Rohingya orphan resident in Kolkata and young Kashmiri youth find solace in each otherâs company and begin to dream of a future beyond the scars of the past.
đ„Chote Nawab 109 mins (London & Leicester)
A 13-year-old Londoner sets foot in Lucknow for the first time to attend a family wedding and finds romance and horror as he has to wrestle patriarchy, class and toxic traditions.
đ„Nirvana Inn 102 mins (London)
Indie favourite Adil Hussain stars in a film which takes you on a journey between reality and a nether world, where nothing is quite what it seems. Vijay Jayapalâs film is a deep meditation on boatman Jogiraj (Hussain) whose life turns upside down when he decides to intentionally capsize his boat with passengers on board and then takes up a post at the Nirvana Inn.
đ„Fire of Teak, Flame of Chinar 121 mins (Coventry and London)
A Rohingya orphan resident in Kolkata and young Kashmiri youth find solace in each otherâs company and begin to dream of a future beyond the scars of the past.
Nine digital short film UKAFF commissions screen for the first time to an audience. The three-minute films were selected on how they best represented the theme of a Ray of Hope. The films can be seen at Soho Screening Rooms in London on Wednesday, June 2. Further info/ticket details: https://www.tonguesonfire.com/whats-on/digital-commissions
Ten short films selected by UKAFF screen digitally on June 4 from 6pm – see here for more info/tickets: https://www.tonguesonfire.com/virtual-screenings
Full physical programme event guide: https://www.tonguesonfire.com/events
Listing
UK Asian Film Festival May 26-June 6 – https://www.tonguesonfire.com/