Author Hanif Kureishi’s seminal novel about race, sex and identity becomes an entertaining and irreverent stage show…
By Suman Bhuchar
THIS stage dramatisation, adapted by theatre director Emma Rice and writer Hanif Kureishi, is currently on at the Royal Shakespeare Company’s (RSC) Swan Theatre in Stratford Upon-Avon until June 1.
There is a microphone on stage and a skinny Karim (Dee Ahluwalia), the central protagonist, is in a pink cheesecloth full sleeve shirt and bell bottom jeans. He arrives as though he is doing an open mic gig and announces himself with the lines which are now iconic: “My name is Karim and I am an Englishman born and bred. Almost”. We meet him on May 3,1979 when the song ‘Bright Eyes‘ (the song by Art Garfunkel) has knocked ‘I Will Survive‘ by Gloria Gaynor off the charts.
Karim gives us a bit of context to the period and an introduction into his story about growing up experiencing sex, love and treachery. The story then flashes back to three years earlier, as Karim takes us through his life and the formative incidents that shaped him as a 17 year old – finding his place in the world, becoming self-confident, expressing and experimenting with his sexuality, drugs and getting hurt.
(Dee Ahluwalia)
It’s an engaging and irreverent show, but some of it is narrated, then acted, so we see mini scenes of his life. Sometimes it feels a bit long but there is enough happening and there is laughter and the story keeps moving.
Karim and his family are likeable people. His dad Haroon (Ankur Bahl) and mother, the nervous and fidgety, Margaret (Bettrys Jones) are brilliant.
The father and son relationship is a delight to watch. Jones also doubles up as the angst ridden posh girl, Eleanor, whom Karim meets when he joins a stage company.
‘The Buddha of Suburbia‘ is as much the father’s story as the son’s, as Haroon also learns a lot about himself, as he reinvents himself as a yoga guru and eastern philosopher, not averse to doing a head stand in his Y-front chuddies!
Haroon falls in love with Eva (Lucy Thackeray) a woman he later marries. She goes from being a fun-loving kaftan and scarf wearing hippie smoking joints to a bourgeois twin-set and pearls with a Thatch hair style suburban woman, acquiring respectability.
Karim’s best friend is Jamila (Natasha Jayetileke) a ‘friend with benefits’ but at that moment he is in love with Eva’s son, the languid Charlie (Tommy Belshaw).
Jamila is the daughter of ‘Uncle’ Anwar (Simon Rivers) and Aunti Jeeta (Rina Fatania) – family friends from Bombay (now renamed Mumbai) who run Paradise Stories, the local super-market.
The set design by Rachana Jadhav is open plan with a build on the split stage with a garden to the right and a bedroom to left and further spaces occupied with activities such as Deven Modha’s character (an off-stage cover) playing records evoking life.
The seventies style of décor and clothes are lavishly created with attention to detail, as well as the music which is a mixture of pop tunes and original sound by Niraj Chag.
Dee is great as Karim but he doesn’t show a lot of emotion and the only time you feel his pain is when he betrays Changez played by Raj Bajaj as a convincing ‘freshie’ immigrant – who loves Arthur Conan Doyle, creator of Sherlock Holmes and enjoys dressing in his deerstalker hat, complete with binoculars and whom has been brought over to get married to Jamila and experiences a racist attack.
There is a lot of sex in the show depicted with party poppers going off or fruit penises when couples orgasm and it is playful rather than erotic.
There is a hugely enjoyable section that parodies an Asian actor getting into theatre when Karim being asked to play Mowgli to method acting with director, Matthew Pyke (Ewan Wardrop) who asks him to “build a character from your own background – or someone black”.
All the cast at these workshops dress in black polos under blue dungarees and support black framed specs. One even has a shock of silver spiky hair and resembles director, Emma Rice who has directed this adaptation.
There is a whole conversation about identity and representation that underscore this enjoyable and engaging show.
Acv rating: **** (out of five)
*Interview with actors son Dee Ahluwalia (Karim) and father Anukur Bahl (Haroon)
All pictures: ©SteveTanner/RSC
Listing
‘The Buddha of Suburbia’, by Hanif Kureishi, writer & co-adapter and
directed by Emma Rice, as co-adapter and showing until June 1 at The
Swan Theatre, Royal Shakespeare Company Theatre, Waterside,
Stratford-upon-Avon, Warwickshire CV37 6BB
https://www.rsc.org.uk/the-buddha-of-suburbia/
